Showing posts with label Marilynne Robinson. Show all posts
Showing posts with label Marilynne Robinson. Show all posts

Thursday, June 30, 2011

Featured Passage

Henry James
This week's featured passage relates to Tuesday's discussion of Marilynne Robinson's Absence of Mind, but, unlike featured passages of other weeks, this one does not come directly from Tuesday's book.  Instead, this is a passage I couldn't stop thinking of when I was reading Absence of Mind.  It comes from Azar Nafisi's Reading Lolita in Tehran (a great book, by the way), from a chapter that details Henry James's reaction to World War I:

"[The quote] was from a letter [Henry James] wrote to Clare Sheridan, a friend whose husband--they were newly married--had gone to war and been killed.  'I am incapable of telling you not to repine and rebel,' he wrote, 'because I have so, to my cost, the imagination of all things, and because I am incapable of telling you not to feel.  Feel, feel, I say--feel for all you're worth, even if it half kills you, for that is the only way to live, especially to live at this terrible pressure, and the only way to honour and celebrate these admirable beings who are our pride and our inspiration.'  In letters to friends, again and again he urges them to feel.  Feeling would stir up empathy and would remind them that life was worth living."

Tuesday, June 28, 2011

A Heady Discussion: Reflections on Marilynne Robinson's Absence of Mind


During the semester I taught English composition at the community college, I assigned my students a paper in which they wrote about how they did or did not fit an identity label of their choice.  One of my students wrote about his life as an atheist, and one of his points was that unlike religious people, he could view the world in a “clear, objective way.”  I can’t remember whether or not I succumbed to the temptation to pen “Oh really?” in the margin.

Brilliant novelist, intellectual, and woman of faith Marilynne Robinson dares, in Absence of Mind, to do the equivalent of penning “Oh really?” in the margin of Freud, Comte, Dawkins, and a host of other thinkers who have shaped modern conceptions of who we are and why we’re here.  Robinson calls attention to “parascience”—writings that claim to be objective and scientific yet are based on nonscientific and agenda-driven assumptions.  Even the widespread assumption that we have crossed a threshold point into “modern thought” and can therefore discount previous thinking as unenlightened and naïve is itself faulty and flies in the face of what human history has shown.  However, thought that claims to be modern is given (dangerously) special credence because of its claim to objectivity and its immediate dismissal of religious thought as primitive and conformist (when, in fact, Robinson points out these dismissers never attempt to represent or describe the intensely personal and individual experience of faith).

Tuesday, May 10, 2011

Aborted Books

This past week, I stopped reading two books.  Since identity is often determined as much by dislikes as by likes, it seems worthwhile to consider these aborted books.

You’ll remember that a couple weeks back I read Evan Connell’s Mrs. Bridge.  I thought I would complete the set and read Mr. Bridge, published 10 years later.  Like Mrs. Bridge, Mr. Bridge is composed of short chapters with witty titles, and, like Mrs. Bridge, Mr. Bridge is plotless as far as I could tell.  I read 170 pages of an edition with 367 pages total, 46% of the book.  This was enough to tell me that in its overall aim, Mr. Bridge seems very much like Mrs. Bridge, except for the difference that Mr. Bridge’s life is a little more public and exterior than Mrs. Bridge’s—after all, he’s the one who makes money and makes decisions.  Perhaps this explains the increased amount of dialogue in Mr. Bridge, which is not as strong a suit for Connell as his ability to narrate slightly odd yet wholly lifelike scenarios, the technique that dominates Mrs. Bridge.  Still, because he is more in the public arena and yet like his wife in many ways, Mr. Bridge comes across as bigoted when he takes those limitations into the public sphere rather than burying them in the private sphere, as Mrs. Bridge does.